个人简介
ACADEMIC QUALIFICATIONSPhD in Fine Arts, Wimbledon School of Art, University of Surrey, UK TEACHING AREASVisual arts, practice and conceptual thinking; Visual arts education
研究领域
Drawing practice; Art and ethnography; Oral history; Women’s studies
RESEARCH GRANTSInternal research grants (all acting as Principal Investigator) offered by the Research & Development Administration Office, University of Macau:Traces of memories – oral narratives of elderly women and visual representations of Macau. 2020-2021. Drawing praxis: an exploration of its language and its significance in art/education. 2017-2018. Art & in(ter)vention: mapping the local & the global. 2015-2016. An investigation on the audio-visual narratives portrayed by some elderly women in Macau. 2010-2014. A passage to the forgotten: a research on the heritage of ethnography. 2011-2014. Drawing the writing. 2011-2012.
近期论文
Refereed Journal Articles Lo, Yuen-yi (2017). A drawing project and beyond – an artist’s project. In Visual Resources – An International Journal on Images and Their Uses, Volume 33, 2017, Issue 3-4, pp. 385-418. Print ISSN: 0197-3762 Online ISSN: 1477-2809 (HII; BHA; OCLC)Lo, Yuen-yi (2016). Research praxis in drawing: the visible and the invisible “Chineseness” – An exploration through Chinese language and the matriarchal writing script, nüshu. In Journal of Contemporary Chinese Art, Volume 3 Numbers 1 & 2, pp. 153-168. ISSN 2051-7041 (Intellect Publishers)Lo, Yuen-y (2015). Drawing the visibility and the invisibility in a room – a personal essay. In Wasafiri, Vol. 30, No. 3, September 2015, pp. 24–33. (AHCI; AII; HII)Lo, Yuen-yi. (2014). Working through culture – a drawing practice with an old apron. In World Art, Fall, Volume 4, Issue 2, 2014, 137-156. (Anthropological Index) Lo, Yuen-yi. (2014). She is a fragment and a whole – a narratives of nüshu artefacts. In Australian Feminist Studies, Volume 28, Issue 78, 398-416. (SSCI) Lo, Yuen-yi. (2013). An (in)visible letter, a writing threading art practices across space and time. In Third Text, Vol. 27, No. 5, 2013, 689-704. (AHCI; BHI; HII) Lo, Yuen-yi. (2013). A practice of feminine sentence discoursing art. In Arts Review, No. 25, 35-60. ( THCI; ACI) Lo, Yuen-yi. (2013). A room – traces of drawing, an installation and beyond. In Router: A Journal of Cultural Studies, Volume 15, 2012 Autumn, 454-473. (TSSCI)Lo, Yuen-yi. (2012). She is one and all – writing nüshu, women’s script in an autobiography. In New Writing: the International Journal for the Practice and Theory of Creative Writing, Volume 9, Issue 3, 374-395. (HII; Rank A*, ERA Australian Research Council)Lo, Yuen-yi. (2011). A practice of difference – uncovering women’s space with nüshu, women’s script. In The International Journal of the Arts in Society, Volume 5, 2011, 41-55. (Cabell's Directory in Educational Psychology & Administration; Ulrich's Periodicals Directory) Books Lo, Yuen-yi (2017). Beautiful Era – 21 Letters to the Artists. (Beijing: Baihuazhou Literature & Art) 264 pp.Lo, Yuen-yi (2017). Beautiful Era – 21 Letters to the Artists. (Electronic book) (Beijing: Baihuazhou Literature & Art) Lo, Yuen-yi (2013). Love Messages across the Centuries: 21 Letters to Parisian Artists (Homeward Publishing, Taipei. China) 192 pp. Lo, Yuen-yi (2012). Drawing the Writing (Kubrick Publisher, Hong Kong. China) 432 pp. Lo, Yuen-yi (2011). A Room (Ox Warehouse, Macau. China)Lo, Yuen-yi (2003). A Journal of Nüshu, Women’s Script (Association for the Advancement of Feminism, Hong Kong. China) 287 pp. Li, Dinu, Lo, Yuen-yi, Mo, Yue-lai & So, Pamela (2002). Ten Thousand Li, Chinese In/Fusion in Contemporary British Culture (Liverpool: Liverpool John Moores University). Books Edited Lo, Yuen-yi (2007)(exe ed). Colours of Peace. Chan Shun-hing (ed) (Beijing: Central Compilation & Translation Press) 1093 pp.
